‘Elevated Analysis’
Wall based, two sectional, sculptural drawing. Drawn and inscribed, reinforced plaster panel with a wax filled, carved grid. Panel fixed within in a black rust proofed angle Iron frame.
A mix of conceptual and figurative, inspired by research into the archaeological recording of human identity and how this is found and represented in the physical record. Plaster is a metaphor for the crystallisation and seemingly undisputable facts deduced from physical historical records. The wax grid structure represents how grids and our belief in the historical record can change or be manipulated. The frame holds the plaster panel up for scrutiny, suspended in the void within the frame. The drawn and inscribed panel depicts a high status pot, prehistoric in origin, yet recognisable and resonant through time.
65 W x 95 H x 5 D cm
£2,200
‘Objective Analysis’
Wall based, two sectional, sculptural drawing. Drawn and inscribed, reinforced plaster panel. Panel fixed within in a black rust proofed angle Iron frame.
A mix of conceptual and figurative, inspired by research into the archaeological recording of human identity and how this is found and represented in the physical record. Plaster is a metaphor for the crystallisation and seemingly undisputable facts deduced from physical historical records. The frame holds the plaster panel up for scrutiny, suspended in the void within the frame. The drawn and inscribed panel depicts a low status pot, prehistoric in origin, yet recognisable and resonant through time.
65 W x 95 H x 5 D cm
£2,200
‘Set in Movement’
A dual fixed panel, wall based sculptural relief. Left panel – concentric rings carved in plaster with wax inserts. Right panel – ink drawing, encapsulated in wax.
Depicting the movement of historical groups and the marking of their environment. Computer generated, Levy Flight simulations inspired drawing.
Wax as a medium can continue to be subject to change and be re worked, much as historical information can be.
The plaster panel depicts the historical ‘cup and ring’ of ancient peoples, marking their journeys across the landscape. Seemingly unchangeable due to the nature of plaster but still not holding any definitive answers as to meaning.
‘Set in Movement’ uses materials and form to portray human nature and its presence in the landscape.
61.5 W x 92 H x 5 D cm
£1,125
‘Ordained Destination’
One of a series. 3 section, constructed piece. 2 board panels with wax textured surfaces, joined through a carved wax section.
Top panel: background layers of muted blue, orange and white pigmented wax, holding a raised wax disk with wax coated ink drawing.
Connecting Slot : raised wax ‘label slot’ connects the panels.
Base panel: textured white pigmented wax panel.
The ink drawing is inspired by computer migration models of Levy Flight simulations, depicting the movement of historical groups. The wax slot is a metaphor for the labelling and classification of identity. The lower panel depicts the starting point of knowledge that we strive to fill.
31 W x 87 H x 6 D cm
£366
‘Destination’
One of a series.
Single board panel with light blue, textured wax background showing working process and holding a raised wax disk with wax coated ink drawing.
The ink drawing is inspired by computer migration models of Levy Flight simulations, depicting the movement of historical groups.
Wax is a metaphor for the mercurial property of our histories, as they are re evaluated and re told over time. Wax holds the potential for change and reworking whilst capturing the physical process of layering.
31 W x 31 H x 4 D cm
£260
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